We
caught up with Aaron and John from Success Will
Write Apcolypse Across The Sky for a chat about
how the band got together, gathered their name,
how their current tour is going and much more.
You
guys have been together since 2006, how did you
form as a band.
(Aaron) How it pretty much started
is that I had another band called the Bodies In
The Gear of The Apparatus, we had just come back
from touring our last CD. We were in the process
of writing our full length album and the band
broke up, two members decided to move back home
to go to school. It was down to me and the new
guitar player at the time, Ian who is our other
guitar player now to start a new band. We started
writing music and contacting people, I started
posting bulletins looking for a real brutal singer
and that's when John contacted me.
(John) I was not really happy
with what was going on with my band at the time,
I had played shows with Aaron before and I knew
what he was all about, that we were looking to
do the same thing. I hit him up and that was pretty
much it, I went to check out some of the material
they had been writing and I was pretty stoked
about it.
(Aaron) In the January of that
year we went into the studio and we tracked our
first demo, we put it up on line and got five
offers from different labels and we went with
Debello Recordings and we thought we would go
back into record but the guy was like no, the
guy said we are putting this out its awesome.
When
did you start playing music and what made you
pick up your first instrument?
(Aaron) I started to play instruments
when I was twelve and I think what really made
me is that all my family were musicians. I come
from a real kinda southern family where on Sundays
they'd get together with bangos, guitars and they'd
all sing. I have an uncle who is a steel guitar
player, he was the steel guitar player for Dolly
Parton. When I was a kid we visited him and he
took us to a place called Dolly Wood which was
Dolly Partons theme park, the treatment the guy
got there was like he was a rock star because
he was Dolly Partons guy. I watched the guy walk
through doors and shake peoples hands, I was like
man I want to be that. By the time I had enough
money and could keep it together long enough I
went and bought a guitar and a little shitty amp.
I started playing then started a band a month
after that, I guess I just really wanted to be
like my uncle.
(John) Its pretty much the same
for me, my father is one of seven kids and four
or five of them play instruments so I was around
that a lot. I can remember as far back as being
four years old listening to Michael Jackson and
running around my house in underwear trying to
sing, trying to be a show man or whatever. My
parents would notice that I could actually keep
in time with it and keep the rhythm. I never really
thought much of it until the age of fourteen when
I decided yeah maybe I am going to try and sing
in a band one day, many years later, many years
of vocal abuse I would say because I'm not really
singing I'm more growling, I would never call
myself a singer in a band. Well here I am.
Who
or what would you say have been your main influences
throughout the years?
(Aaron) I was a big fan of all
the mid nineties Relapse stuff but initially as
a kid I grow up listening to all the great thrash
metal bands from the eighties like King Diamond,
Metallica, Anthrax and as I got older I got more
into punk rock and grid core. For me I can not
say that one band truly influences me, pretty
much all the band I grew up with.
(John) For me it was being young
and listening to a lot of soul music, RnB and
a lot of funk, its just what I grew up listening
to. Around the high school years, I heard about
this band called Cannibal Corpse and I was like
wow that's really angry and its really well put
together, that's me I'm angry like that too I
want to do that. I went from pop music to the
most underground death metal ever over night.
I
understand you
have just released your debut album (The Grand
Partition and The Abrogation of Idolatry) and
have worked with some amazing people to create
this record, how was the recording process and
what can we expect from this record?
(John) Anger, rage lyrical we
took a lot of time and just the whole album in
general, we took a lot of time to make sure we
got our point across of what we were trying to
say. Its not one of these record where you put
it in and its just break down after break down,
we really tried to articulate what we are doing
within ourselves with our music.
(Aaron) Also I think too, when
we set out to write the record we made a conscious
decision to write songs not pieces. We want to
make hooks and courses and really make it worth
the listener to listen to it. I think there are
too many death metal, grind core and hard core
bands that write these musical pieces that don't
have a begin middle or an end and don't have a
point or a pay off. We think these songs are like
the great cycle, like the Beatles you listen to
it there is a point to it, there is a pay off,
there is a hook, there is a climax there is a
up and down and that is what we try to put into
everyone of our songs. We did not put any filler
on this, everything we put on this record is meant
to be there , to us they are songs and not pieces.
(John) The process itself was
incredible, we got to work with an incredible
engineer and producer James Murphy.
(Aaron) His great he really worked
with the band not just recorded us and slapped
us on the back and took all our money. We would
spend hours on the phone with this guy, I would
go and sit down by the lake with the guy for three
or four hours, he really captured us and made
us sound like what we wanted to in our heads.
We did not want this record to sound like the
new version of recording, where everything sounds
the same and its too digital. We wanted the record
to sound like the kind of record you grew up listening
to.
How
did you come up with the title The Grand Partition
and The Abrogation of Idolatry and could you give
us a break down of the tracks and your favourites?
(John) I don't know If I can
enlighten everyone on the title as much as our
other guitar player, as he is the one that really
came up with it.
(Aaron) I'm responsible for the
ridiculously long band name and he is responsible
for the ridiculously long album name.
How
did you come up with the band name?
(Aaron) We did not just make
it up, its actually a sentence taken from a short
story written by William Burroughs.
(John) Its to do with art jumping
off it canvas and taking on a living life form
and then taking over the world.
(Aaron) I originally saw it when
I had an old magazine, I think it was called scratch
magazine or something, I found in some used record
shop in south Philly. In the magazine there was
a whole article on William Burroughs, in his house
literally written on his walls really big was
Success Will Write Apocalypse Across the Sky.
I thought that could mean so many different things
to so many people. The first time I saw it, I
though wow your right the bigger you build shit
up, the higher you build it the further its going
to come crashing down to the bottom
The
album title?
(John) The Grand Partition is
the wall that each one of us as individuals have
put up in front of ourselves, to limit ourselves.
The Abrogation of Idolatry is the destruction
of that wall, the destruction of these idols that
we hold higher than ourselves. The have to be
destroyed, these hero's on TV that people have
grown to accept these figures as real things,
its not real!
I
have to say you
have some really sick cover art going on, on both
the new album and the EP Subhuman Empire who has
designed the art work and did you have much input?
(Aaron) The EP was done by a
friend of ours in the States called Mario who
did a killer job. The new album is done by Colin
Marks, his from London and he has done a great
lot of cover work. We are sill blown away by it,
he really captured what we wanted. We really wanted
to make it a esoteric piece of art.
You
have been on tour with Bleeding Through, Darkest
Hour and more as part of the Crash and Burn tour
for the last month. How have the shows been going
and if you had to pick one show as being the highlight
of the tour which one would it be?
(Aaron) Pinarella Italy
(John) So weird, so incredible.
For an opening act on such a high profiled tour
like this, we have no complaints. Its been awesome,
we are on a damn tour bus for gods sake! We never
expected to have that.
(Aaron) We get sandwiches and
yoghurt in the morning and beer, its not like
that in the statues. Its weird coming over here
as nobody has heard us and we are a little bit
different to the other bands. We are not on a
death metal package, we get a lot of blank stairs
when we play then they come at the end of the
night and buy our merchandise. So they like us
You
are one out of seven bands on this tour, are you
fans of any of the other bands and have you made
any new touring buddy's?
(John) I have been listening
to Darkest Hour since 1999 so its awesome for
me. I am a really big fan of At The Gates so when
I heard an American band at the time doing a similar
thing, I was like this is awesome ever since then
I have been a fan. Beneath the Massacre every
night are blowing me away, they are fucking awesome.
I can not really say that we have specific touring
buddy's I think it would have to be the whole
tour. Every night from start to finish we help
each other out, there are no rock stars on this
tour.
(Aaron) There are only three
dudes that work for the tour, everybody else that
is loading and unloading are bands guys. We all
work together, everyone is great.
How
would you describe your live show and what is
your favourite song to play live?
(John) The live show, angry,
frustrated, fast, sad and sweaty. Favourite song
I would say right now is Despot, I think its really
really aggressive and brutal all the way through
and that is how I like it.
(Aaron) Actually one of my favourite
songs to play we don't have time to play on this
tour, its A Path. Its an oldie but a goodie and
its my favourite song to play live.
Do
you have any funny tour stories you would like
to share?
(John) Honestly every story on
Trash and Burn is funny, there is no individual
story. Its a party, we are all getting along and
having a blast. I will tell you this one though,
in Spain Lonestar from Darkest Hour he takes out
his acoustic guitar and there is a sea of kids
from like five to ten years old surrounding this
guy. Seriously there had to be twenty five to
thirty five kids surrounding him while he was
strumming his guitar, screaming at him.
(Aaron) Singing Beatles songs
with them. Then they go inside for the sound check
and all the kids pull up seats. They were all
screaming and giving metal horns. It was classic.
If
you could be in any other band past or present
for a day, who would it be and why?
(Aaron) I would be in Elvis Presley's
last touring line up, when they did all the gospel
blue brass stuff and I would play bass.
(John) I'm right where I want
to be, I can not picture myself in any other role.
Ok then I will be Elvis Presley's drummer next
to Aaron
What
will you guys be doing after finishing this tour?
(John) Touring again, we are
going right back on the road in like three weeks.
Then we have some amazing stuff coming up at the
end of the year that we can not talk about yet,
it might involve being back here that is all I
will say.
Okay,
one final random question; if you had a choice,
what animal would you be out of a Zebra and a
Giraffe?
(Aaron) I would say giraffe.
(John) Me too, I would love to
tower over everything else.
(Aaron) You could see shit coming
a mile away and you can still run really fast.
(John) You could also crap on
anybody.
Thanks
for your time, is there a message you would like
to give to your fans reading this?
(John) Wake up, open your eyes
you have been lied to.
(Aaron) Stop watching our news
its full of shit. Stop aborting American culture,
English culture is great stop becoming us. To
the men women's pants don't look good on you,
don't do it!
(John) We love you.
Interview By Ellie