Gig Review

The Long Blondes
Plus XX Teens
Bristol, Anson Rooms
19th April 2008


The Long Blondes       XX Teens
     

I was hoping that my return to the Anson Rooms would be a lot more enjoyable than my first visit. Although Get Cape Wear Cape Fly were amazing, I felt less than well and thus it resulted in me not being able to take in the atmosphere of the place. However, the venue remained pretty much as I remembered it. Resembling a 1970’s office block on the outside, and what can only be described as a school gymnasium on the inside, it is a place of great intrigue. Acoustically, it suffers slightly depending on the setup of the band, and therefore it is the type of venue where the music can come across slightly in the wrong manner.

This may be the excuse that the support band XX Teens would like to provide, as their set was extremely less than impressive. Apart from the guitarist, the band seemed to lack any energy whatsoever, in particular the lead singer, who gave the presence of not quite being with it on the night. Billed as a ‘bouncy art punk band’, this did not come across on the night whatsoever and in fact ended up being quite a lethargic set. This reflected itself in the reactions of the crowd, who much like me seemed very confused as to what XX Teens were trying to achieve. After 30 minutes of their set, they departed from stage and it would seem no-one was overly bothered. A band I wouldn’t mind seeing again, purely to see if they had just had a bad night.

The main event, however, should have been a completely different matter. Despite this, I had my reservations due to the email interview conducted with the band, which came across in a severely sarcastic and haphazard manner. This did not seem to reflect the band I had come to really enjoy on CD, and therefore I wasn’t sure what to expect from the live show at all. Yet, my fears were blown away safely by the end of the second song, when it became very apparent that the Long Blondes had come to rock the party. Although I ended up slightly disappointed that not one of them was blonde! Playing their way through a good mixture of their album tracks, fusing the old classics like ‘Weekend Without Makeup’ with catchy new songs like ‘I’m Going To Hell’. The crowd reflected what sort of band the Long Blondes are however, and that is one who has attained a very much cult status without brushing the edges of mainstream. There were some severely hardcore fans contained within the crowd, knowing every word to every song and seemingly picking up on any faults the band may have made.

Personally, for me, the highlights of the night were the songs ‘Guilt’, which is being released as a single from the new album ‘Couples’, and possibly the band’s most famous song ‘Once and Never Again’, which I am reliably informed is a favourite on Topshop Radio! But that sums up the aura around the band, one of cutting edge fashion and ultimate cool. The slight downside came from bassist Reenie, who seemed methodical and uninterested throughout the entire set. Despite the obvious positive edge in the room, she only managed to crack one smile and resembled a moody electro girl from the Mighty Boosh. Maybe it is little surprise that she was one of the band responsible for the less than enthusiastic interview before the show.

However, this is not to take away from what I believe to be one of the best live shows I have ever been to. The Long Blondes certainly know how to handle themselves on stage, and hopefully I will get to see them again on a slightly bigger level. Musically, they deserve it. But if they continue down the same PR track as our interview received, then their talents could all be for nothing.

Review by Anthony

 The Long Blondes

Emma Chaplin - (Guitar)
Dorian Cox - (Guitar)
Reenie Hollis - (Bass)
Kate Jackson - (Vocals)
screech louder - (Drums)
 XX Teens

Anthony Silvester
Rich Cash
William Morrow
Jorgen Raa
Macks Faulkron
 Band Related Links
The Long Blondes Myspace
XX Teens Myspace
 Review Score Code
- Top Cheese
- Brilliant
- Pretty damn good
- Ok I guess
- What Was That?