Well
this is a festival I was told about back at the
start of the year and wasn’t to bothered
about, but as the months went on and the more
bands where added it turned into a festival that
I couldn’t wait to get too! Eventually the
time came and on a nice Sunday morning I head
down the motorway to Nottingham to check out what
Hit The Deck has to offer!
Arriving at the festival around 10 all I see is
a cue for wrist bands and empty streets, so I
pick up my pass and head for a walk around town
as I’ve got a few hours to kill before the
first venue opens and the first bands start there
rocking. After a much needed breakfast I head
to The Forum, a venue I’m told has never
had bands play there before, but as I head down
the dark stairs and into the dim light of the
venue below, I find a nice little club which looks
like it is more than capable of putting on a good
show.
The
first band to test my theory is “The Social
Club”, they describe themselves as polytechnic
rock which to be fair is what you’re in
for. The singer Dave sounds like Elvis Costello
and looks like Rivers Coumo, they're keyboardist
isn’t here (supposedly he's at dance school)
so the keyboardist from Spy Catcher stands in.
It's a short but sweet set that sees them rock
the stage and get this small early afternoon crowd
bouncing, if you like nerd rock then this band
is the band for you. 3/5
I
catch the end of Hildamay’s set after walking
down the road and wading through a sea of people
to get to the main room of Rock City. I get close
to the stage to see that their destroying the
main room with their own blend of metalcore. They're
heavy they're loud and they're in your face. 3/5
Next up is Yashin a band I saw a month ago and
who really impressed me, but today they have upped
the ante. Their rockier and louder than ever before,
their crowd is as I expected it to be back in
Birmingham, it’s a mix of metalers and young
girls. They drop New Year or New York and the
room goes crazy, the band feed off this energy
and add it to their performance! At one point
singer Harry jumps into the crowd and disappears
for a moment, only to return with his top all
ripped open and gasping for breath! They really
know how to step it up for the festivals. 4/5
I
decide to stick around in the main room and catch
my breath back from the amazing Yashin, and wait
to see The Dangerous Summer, who I missed earlier
in the week due to the band missing their flights
to the UK. I now wish I hadn’t bothered
and that I had gone and seen another band as they
were poor, they were rather boring on stage and
well, where not as good as I thought they were
going to be at all! The room also seemed to agree
with me as it was now half empty where as it was
full to capacity moments before. They played their
bland music to an unimpressed crowd and so I left
to find something with more meat! 1/5
I ended up going down to the basement only to
find Straight Lines setting up. After a few moments
of waiting around, they delve into a short set
which go down great, although not a massive band
they have this room swelling with people trying
to catch a glimpse of these Welsh rockers who
have come from strength to strength and seem to
only get better every time I see them. They have
the room singing along to “Set Me On Fire”
and have got lots of new fans ready to buy they’re
new album “Freaks Like Us” after this
great show. 3.5/5
I
am always paranoid at festivals that I’m
going to miss the main bands I want to see, as
normally the “bigger” magazines get
to shoot the highlights and if there’s any
room then we can shoot too, so with this in mind
I end up missing a few bands I want to see (We
Are The In Crowd, Of Mice And Men and Heights)
so I can be first in the queue to shoot Bat Sabbath(I
find out later that I probably could have turned
up half way through there set and shoot them but
by then it was too late).
So I headed back over to The Forum and catch Imperial
Leisure who again are even better when the room
is full of people ready to party. They jump around
like mad men on stage, showing they’re Ska
Punk catchiness to this very busy crowd (the last
time I saw them there was about 20 people so it’s
great to see how they interact with a big audience),
they keep everyone entertained by making them
sing along to “I’m In Love With The
Landlords Daughter” whilst all 7 members
move up and down the stage making it really enjoyable
to watch. They do a great job of getting this
crowd pumped; it’s just a shame that the
ones who stick around are subjected to the next
band. 4/5
Arse
Full Of Chips take to the stage to WWE superstar
The Rock’s theme music, all dressed as wrestlers
(we have a Mexican wrestler, Stone Cold, Hulk
Hogan and a gay Cm Punk). They line up across
the stage with no drummer and play acoustic comedy
songs which are not funny. They start off well
with a song called “I’ve Got An App
For That” in which they list different things
and then say I’ve got an app for that, which
isn’t comedy gold but it’s entertaining,
they then get a massive conga going, but by the
end of it Hulk Hogan gets naked and they sing
a song called “I’m An Absolute Retard”
which isn’t funny and is just plain rubbish.
This band is no-where near as good as other comedy
bands out there at the moment (Midnight Beast
and Lonely Island), it’s a poor excuse for
entertainment and I’m just happy it’s
over with. 0.5/5
Bat
Sabbath are up next and this room is heaving,
people know this is one of the biggest cover bands
out there as it is the Cancer Bats playing Black
Sabbath songs, so they fill the room to bursting.
The lights go out and the band take to the stage
slowly pumping out “Paranoid” as the
lights come on Liam takes to the stage and jumps
straight into the crowd wearing a black cape ensemble
to emulate Ozzy. The band plays a great set of
Sabbath Covers including “N.I.B.”
“Iron Man” and ending in the epic
“War Pigs”. They sound amazing and
do Sabbath justice by playing every song with
heart and passion and impress this huge crowd
leaving no-one dissatisfied. They have all this
stage presence and energy despite them playing
6 gigs in a day, less than 24 hours before. 4/5
The
room disbands and it looks like The Swellers are
going to play to just me and the bar staff, but
fear not, punk is not dead, it’s just having
a breather as the room starts to fill back up
just moments before they head onto the stage.
It’s a good job they do as The Swellers
play the same set as they did when I saw them
a few days ago and so it’s full of power
and raw passion. They play singles “In My
Head” and “Fire Away” to great
aplomb, and this crowd gets messy, they start
pits and go crazy. They don’t really stop
to talk as they blast through their set but they
do say how grateful they are for the support since
they left their record company this week. They
sound great and leave the audience begging for
more. 4/5
Now
I had a big choice to make, stay where I was and
watch Young Guns or go see Cancer Bats or maybe
even pop punksters The Wonder Years. I decide
on the latter and go see The Wonder Years as I’m
in the mood for some more punk and a bit of chaos.
I head across to the Rock City Basement and already
the room is full, people are squished in like
sardines, trying to get a view of this small stage.
I get to the front and sit waiting with 3 other
photographers in the smallest photo pit I’ve
ever been in, the band squeeze past us and get
onto the stage and break into “Local Man
Ruins Everything” followed by the awesome
single “Melrose Diner”, during these
songs the crowd have started to jump around and
people have started to crowd surf, but seeing
as the stage is 1 foot away from the barrier and
there is 1 security guard the room turns into
chaos quick! The bands roadie has to help get
people over and out of the pit, whilst the security
guard stands there saying he can’t do anything.
Bassist Josh Martin jumps into the pit and helps
a fan down whilst still trying to play, at one
point whilst I’m trying to take photo’s
whilst dodging crowd surfers and singing along(rather
to loudly as I’m only mere inches away from
the band) singer Dan “Soupy” Campbell
turns to me whilst singing and starts to point
above my head, I turn around to see someone coming
over the crowd to which I help over and out of
the pit whilst protecting my camera to then carry
on shooting, I then get a tap on the shoulder
as a fan is telling me to look at soupy as he
gives me the thumbs up. I can say that is the
most crazy pits I’ve ever been in, I would
have stayed there all gig if I could as it was
really exhilarating, but I felt it best that I
get myself and the other togs out of there so
the roadie can get a better grip on the crowd
control. Luckily the band’s set calms down
a bit as they play “I Won’t Say The
Lord’s Prayer” for the first time
in the UK, they continue to play awesome pop punk
tunes including “Logans Circle”, “Came
Out Swinging” and ending in “All My
Friends Are In Bar Bands”. The band performed
really well and handled the chaos with experience;
I think this is something they love, as towards
the end of the set Soupy climbs up high above
the crowd before diving into the sea of adoring
fans. 5/5
I
leave the Basement and try and get up into the
main hall for Kids In Glass Houses, but can’t
fight my way through the sea off people. So I
decide to go and see the only other band that
is playing; Zebrahead.
Unfortunately Zebrahead are running late due to
technical issues with The Young Guns set, but
eventually they appear on stage and give this
audience the send-off they deserve. They play
a great set with all they’re hits including
“Playmate Of The Year”, “Hello
Tomorrow” and “Jag Off” whilst
doing all the typical things Zebrahead does, including
making the crowd all sit down and jump up at once,
spraying water into the crowd and drinking heavily
during the show. This is great to see the first
time but it gets a little old fast, the band are
great live though, they sound great and they are
fun and catchy. They have a huge back catalogue
and have so many songs to play, but they still
have time to have fun which even though it is
a bit stale for myself this late night party crowd
are loving it and can’t get enough of their
ska/punk/rock. They finish there set with “Anthem”
and “HMP” which ends the day on a
high, I would have been happy to end with The
Wonder Years but Zebrahead definitely make it
worth staying around for. 4/5
Overall
today has been a great success, I’m disappointed
I didn’t see more bands but that’s
due to me being overly conscious with whom I might
not get to see. But I didn’t enjoy most
bands I saw and I thought the whole organisation
of the festival was great on the whole; the only
thing I’d change is more security about
Rock City as it felt it needed some more structure
for people to feel safe, especially in the basement.
In the end myself and many other people in Nottingham
had an excellent day with tonnes of great bands
in a number of awesome venues, I cannot wait to
go back next year as I’m sure it will be
even bigger and better(if that’s possible!)!!
Review By James Daly
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